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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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David Salvage

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Ian Moss
Lanier Sammons
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(Philadelphia)
Eric C. Reda
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Christian Hertzog
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Jerry Zinser
(Los Angeles)

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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Sunday, May 08, 2005
Mama Mia

Anne Midgette has a profile in today's New York Times of James Tenney, whom she describes rather aptly as the "Zelig" of American contemporary music for his uncanny ability to be involved in many of the most important musical events of the past 40 years without attracting much attention to himself. As we noted here in our little profile last week, pianist Jenny Lin organized two concerts of Tenney's music in New York this week; the first is tonight at 8 p.m. at the Project Room, 619 East Sixth Street, East Village. The second is Wednesday at 8 p.m. at the Whitney Museum of American Art at Altria, 120 Park Avenue, at 42nd Street.

I asked Jenny why she decided to put together the Tenney programs and here's what she said:
"I believe James Tenney to be one of the most significant composers of our time. Just look at his music, his writings, and his history. And look at his influences, his teachers, and his peers - Varese, Cage, Ruggles, Brakhage, Reich... the list goes on. I first came across Tenney when researching for my Ruth Crawford Seeger CD (his Diaphonic Toccata for Violin and Piano is dedicated to Crawford Seeger). Then I discovered his connection to New York and was shocked that there has not been any substantial presentation of his work in the city in the last 10 years. I knew I had to do something. I knew it was very important to bring his music back to New York. I began to reach out to people for help. There was a lot of enthusiasm and support but little action. So I took on the project on my own for a while. When the curator for Whitney's Performance on 42nd Series agreed to host a concert, people started to approach me instead. So now, after one year, things finally materialized - just in time for Tenney's 70th year."

 



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