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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

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Jeff Harrington


Latest Posts

What is Music For?
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Angel Music
Toning Up
Sir Max, God of Fertility
Jefferson Friedman�s Third String Quartet at Alice Tully
Naked Saxophonists
Busy Monday
Cooking With Sir Max
Ferneyhough at Miller Theater


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Monday, May 02, 2005
Lorin's Vanity Opera?

Lorin Maazel has been caught putting cookies into the cookie jar. It transpires that the sort-of-average conductor put more than �400,000 of his own money into his new opera of George Orwell's 1984 which opens Tuesday at the Royal Opera House. This, of course, has led some London music lovers to wonder if Covent Garden isn't staging a vanity project and led people like me to wonder why a sort-of-average conductor has so damned much money.

Sniffs the Guardian: "Maazel has no experience as a writer of opera, and his reputation as composer is far from stellar."

The paper goes on to say that one senior member of the music staff describes the opera as "crap".

Here's a somewhat friendlier take from Reuters.

 



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