Performer Blogs@Sequenza21.com

The career of pianist Jeffrey Biegel has been marked by bold, creative achievements and highlighted by a series of firsts.

He performed the first live internet recitals in New York and Amsterdam in 1997 and 1998, enabling him to be seen and heard by a global audience. In 1999, he assembled the largest consortium of orchestras (over 25), to celebrate the millennium with a new concerto composed for him by Ellen Taaffe Zwilich. The piece, entitled 'Millennium Fantasy for Piano and Orchestra', was premiered with the Cincinnati Symphony Orchestra. In 1997, he performed the World Premiere of the restored, original 1924 manuscript of George Gershwin's 'Rhapsody in Blue' with the Boston Pops. Charles Strouse composed a new work titled 'Concerto America' for Biegel, celebrating America and honoring the heroes and events of 9-11. Biegel premiered the piece with the Boston Pops in 2002. He transcribed the first edition of Balakirev's 'Islamey Fantasy' for piano and orchestra, which he premiered with the American Symphony Orchestra in 2001, and edited and recorded the first complete set of all '25 Preludes' by Cesar Cui.

Currently, he is assembling the first global consortium for the new 'Concerto no. 3 for Piano and Orchestra' being composed for him by Lowell Liebermann for 2005-06-07. The World Premiere will take place with the Milwaukee Symphony Orchestra, conducted by Andreas Delfs on May 12-14 2006, followed by the European Premiere with the Schleswig Holstein Symphony Orchestra, conducted by Gerard Oskamp, February 6-9, 2007.

Biegel is currently on the piano faculty at the Brooklyn Conservatory of Music at Brooklyn College, at the City University of New York (CUNY) and the Graduate Center of the City University of New York (CUNY).

Visit Jeffrey Biegel's Web Site
Wednesday, May 04, 2005
Anderson 100th/2008

Kurt Anderson, son of composer Leroy Anderson, called me the other day
to remind me that the 100th Anniversary Centennial Year of his
father's birth (1908) will be in 2008. Kurt knows I have been a strong
advocate of his father's 'Concerto in C' for Piano and Orchestra and
hopes I can help to present the concerto in the 2007-08, 2008-09
seasons to celebrate the Centennial of his father's birth. One can see where his studies with Walter Piston come into play in this full-bodied and exciting piano concerto. In
addition, there plans to be a full score and set of parts for
the 'Concerto in C' available for purchase at a very low price, which
Kurt will keep me apprised. If the concerto can be programmed
for the celebratory seasons, please feel free to zip me an email at
sharpnat@aol.com.... Best regards, Jeffrey Biegel