Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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Reasons to Stop
Lawrence Dillon

Focus on the Writing the Music
Judith Lang Zaimont

Can't Stop
Corey Dargel

nonmusical influences
David Toub

definitely better off
David Toub

At Least We're Not Better Off Dead
Beth Anderson

Today's Agenda
Jerry Bowles

Pierre de France or Pierre Lapin?
Jerry Bowles

Read the List
Jerry Bowles

re: theory
David Toub


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Tuesday, April 19, 2005
The Play's the Thing

I think Elodie Lauten has it exactly backwards when she writes that because of film and television people need stories. People have always needed stories and therefore we have film and television (and opera, theater, novels and yes, program music.) Charles Fussell once told me that he thought Mozart was such a great chamber music and symphonic composer because he was such a consumate theatrical composer. Even if a piece of music isn't literally "about" something it had still better feel like it is.

 



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