Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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nonmusical influences
David Toub

definitely better off
David Toub

At Least We're Not Better Off Dead
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Pierre de France or Pierre Lapin?
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Read the List
Jerry Bowles

re: theory
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Theory and Practice
David Salvage

What's New is Old Again
Galen H. Brown

the unfamiliar
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Tuesday, April 19, 2005
Can't Stop

In response to Elodie Lauten's Ten Reasons to Stop Composing:

The value of music-making cannot be measured by statistics, numbers, or demographics (as the NEA would like to believe). It cannot be measured by financial success. Composing, performing, and listening to music is a spiritual activity, and its primary value lies in the spiritual realm.

Our society is uncomfortable dealing directly with spirituality. We tend to commodify (package), rationalize (theorize), and shift the focus away from (educational outreach) the spiritual role that musicians play in our society.

I know very few composers who don’t have a day job or another source of income. We keep composing because we can’t not compose. If we stop making music, there will be a spiritual void in our lives.

 



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