Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.

Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron
Alan Theisen
Corey Dargel

Latest Posts

que es la musica?
David Toub

ideologies in music
Cary Boyce

Competitive Advantage
Galen H. Brown

Contests, Prizes, etc.
Cary Boyce

Contests, Prizes and Time
Beth Anderson

Music and Politics and Women
Beth Anderson

two points
Galen H. Brown

Yehudi Wyner's new concerto for the BSO
Larry Thomas Bell

hitting a nerve
David Toub

meaning vs. obscurity
David Toub

Beepsnort Lisa Hirsch

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

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Thursday, March 03, 2005
Seriously, Folks. . .

Marc Geelhoed has an essay up at New Music Box this month on trying to get a psychic reading on who will win the Pullitzer. It's kinda cute, although it didn't hold my attention and I didn't finish it. I do have one strong objeciton though -- he says:

"I covered the new rules of the Pulitzer Prize for the 15 assembled clairvoyants, including Jones, saying that it wasn't just serious composers who could nominate pieces this year, that it was open to jazz musicians, improvisers, even film composers."

We need to stop using that term, "serious composers." Film composers and jazz musicians are every bit as serious as Steve Reich and Eliot Carter are, and the music that they make is every bit as serious. It's extremely condescending to use such a value-laden term as the label for what we're doing. True, we don't have another term that we can agree on either, but that's no excuse for being rude.
posted by Galen H. Brown 8:28 AM


 


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