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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Sunday, March 27, 2005
Easter Sunday

Long, long, very long interview in the New York Times today with James Levine, John Harbison and Charles Wuorinen. Levine and the Boston Symphony Orchestra will premiere Harbison's "Darkbloom: Overture for an Imagined Opera" and Wuorinen's Fourth Piano Concerto tomorrow night at Carnegie Hall. The interviewer brings up Wuorinen's 1979 pronouncement that tonal music is dead and mainstream composers no longer write it. And, of course, there is a lot about Schoenberg. Here's a sample:
HARBISON: ...He's a bogeyman. He's like a bad wolf, useful in a kind of stirring-up-the-waters way. Maybe his acceptance was slower than some composers, but that reviving of the Schoenberg thing, I just don't understand it at this point. It completely eludes me.

WUORINEN: It's insane. I mean he's been dead for over 50 years. You would think it was a settled issue. His music continues to be played. It is loved by musicians.

HARBISON: He's played more and more.

LEVINE: We're finally getting there.
Levine doesn't mention that most of the Schoenberg that gets played is his tonal stuff. In any event, my problem is not with Schoenberg, it's Wuorinen that I don't get.
posted by Jerry Bowles 3/27/2005



 
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