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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Monday, February 07, 2005
Playing Favorites

Two of our favorite young composers are on the menu tomorrow night at 8 pm when the Orpheus Chamber Orchestra continues its 32nd season, with pianist Jonathan Biss as guest soloist at Carnegie Hall.

The Orpheans will perform the world premiere of Daniel Schnyder�s Concerto for Winds (Some Other Blues) (commissioned by Orpheus, with funding from Pro Helvetia, Arts Council of Switzerland).

height= �I was especially interested in writing this piece for Orpheus, featuring its wind section, because I am also a wind player and wanted to reflect on the new aesthetic developments of the 21st century,� Schnyder says. �I know that Orpheus really loves to push the envelope. They often progress into new, uncharted waters without fear and full of enthusiasm. This allows the composer to write without inhibitions and second thoughts.�

The Concerto is dedicated to John Coltrane and even though it is not a jazz composition, it uses some phrases, articulations, and expressions derived from the treasures of the jazz heritage. Some Other Blues is the subtitle and is a reference to the famous Coltrane tune, which reflects on the idea of expansion and transformation of existing forms and musical ideas.

height= On the program, also, is the New York premiere of Erkki-Sven T��r�s Action - Passion - Illusion for String Orchestra, a utilizes a musical language he developed (his �meta-language�), at the heart of which can be heard both the human anxiety and fin-de-si�cle optimism of our late 20th century times. T��r�s work incorporates a wide range of 20th century compositional techniques, representing the program�s overall theme: young composers representing the times in which they live.

There is also a couple of pieces by a guy named Mendelssohn on the program, which is where Jonathan Biss comes in.
posted by Jerry Bowles 2/07/2005



 
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