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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
What's New Today?
An Uncommon Life
Who�s Your Dada? Cage�s Number Pieces
The Composer as Cop
What's New Today
Three New Works Scheduled by Indianpolis Symphony
The Minimalists Meet the Beeb
An Uptown Outpost for Downtown Sensibility
Heard the New Beethoven Yet?
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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Tuesday, February 01, 2005
Name That Tune

Martin Kettle, writing in The Guardian, poses an interesting question:
"...what is the most recently composed piece of classical music to have achieved a genuinely established place in the repertoire? I mean a piece that you can count on hearing in most major cities most years, and a performance of which is likely to bring in a large general audience.
I'll post his answer later. What's yours?

Kettle's answer: Shostakovich's first cello concerto, written in 1959, perhaps? Even that is stretching a point. A more truthful answer might be Richard Strauss's Four Last Songs, composed 56 years ago in 1948.
posted by Jerry Bowles 2/01/2005



 
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