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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

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Jerry Bowles
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Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

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Latest Posts

Harrison Birtwistle at Zankel Hall, New York
Groovin' With the London Symphony Orchestra at 100
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Is This The End of the Affair?
Name That Tune
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An Uncommon Life
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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Friday, February 04, 2005
Masterpieces NOW Redux

Alex Ross responds to Martin Kettle�s classical-music-is-dead-or-maybe-turning-into-rock-n-roll piece in The Guardian with a list of works he considers to be masterpieces by living composers or those still warm in their graves. His list includes:
��Nixon in China � one of the most richly melodic operas of recent times, one of the few flat-out great American operas, as deep a meditation on the psychology of power as any composer has created. See also Adams' Harmonielehre, Harmonium, Naive and Sentimental Music. Messiaen's St. Francis. Lutoslawski's Third Symphony. Takemitsu's Twill by Twilight. Golijov's St. Mark Passion. Ad�s' Asyla. Gubaidulina's Offertorium. Feldman's Piano and String Quartet. Lou Harrison's Rhymes With Silver. Ligeti's Violin Concerto. P�rt's Litany. Reich's Desert Music. Glass' Violin Concerto. Michael Gordon's Decasia, Phil Kline's Zippo Songs. For the komplexity kids, Kurtag's Stele, Magnus Lindberg's Kraft, Carter's Clarinet Concerto. Take that, Martin Kettle! Composers already rock!�
Hard to argue with most of these choices and I would vote Nixon in China and Golijov�s St. Mark Passion most likely to withstand the test of time. Hard to say if Michael Gordon�s Decasia is most durable than his Trance but that�s a success problem. Messiaen will certainly still be considered major a century for now (if we survive George Bush and there is a century from now) and probably P�rt. Phil Kline�s Zippo Songs�I doubt it.

To the list, I would add Gavin Bryars� Jesus Blood Never Failed Me Yet; Philip Glass� Piano Etudes, which will be the Ravel piano minatures of future generations, Steve Reich and Beryl Korot�s The Cave, Golijov�s The Dreams and Prayers of Issac the Blind and, in fact, just about every note that Golijov has ever written.

Who would you add to the list?

 



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