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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

 Contributing Editors:
Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington

Latest Posts
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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Monday, February 21, 2005
Last Century in LA--Not Everything's Up to Date in the City of Angels

The 19th century is alive and well with Los Angeles Opera.

It was time to decide whether or not to re-subscribe or to just cut loose and try for individual performances. This year it was a difficult decision: another price increase, a retrenchment in plans, and more conservatism in music. The program this coming 2005-2006 season will have only eight productions, plus some recitals; last year there were ten, including a longer run in the summer for A Little Night Music. There will be only one new opera: Grendel (2006), by Elliot Goldenthal with libretto by Julie Taymor and J.D. McClatchy, the poet, directed by Taymor. (Grendel will then go to the Lincoln Center Festival.) The next newest opera was written 100 years earlier: yet another revival of Butterfly (1905), which alternates seasons with Boheme.

Counting Grendel, the average year of the premieres of the eight operas is 1886. So much for current music.

The Philharmonic has a great relationship with John Adams, but the Opera has done no Adams opera since Nixon in China. The Phil has great relationships with Peter Sellars, but no Sellars production has been performed since the Opera brought on the Phil, with Salonen, for Pelleas et Melisande.

Not everything is dismal. At least the Butterfly will be Robert Wilson�s production once more, as will next season�s production of Parsifal. Several cast and conducting announcements look appealing as well. But I certainly wish that the Opera�s Board were more adventurous and that their marketing staff were more effective in positioning non-standard works. (We decided to resubscribe and to sell the tickets for evenings that didn�t appeal.)
posted by Jerry Zinser 2/21/2005



 
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