Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


Brian Sacawa
Galen H. Brown

A weekend with Ethel
Larry Thomas Bell

trends
Rodney Lister

Tonality Out the Window
Lawrence Dillon

re: what's the matter with kids today?
David Toub

What's the Matter With Kids Today?
Jerry Bowles

Stitches In Air
Beth Anderson

It's all right here. . . Right here in my noodle. ...
Galen H. Brown

A few words on teaching and being taught.
Larry Thomas Bell

genius?
Lawrence Dillon


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Tuesday, February 08, 2005
Inspiring Tales

Let's talk about inspiration. What is it? Where does it come from? Most of you probably know the story of Harmonielehre, John Adams' breakthrough composition that allowed him to move beyond minimalism. He told Jonathan Cott in an interview, that in a dream he saw himself "driving across the...Bay Bridge, and looking out saw a huge tanker in the bay. It was an image of immense power and gravity and mass. And while I was observing the tanker, it suddenly took off like a rocket ship with an enormous force of levitation. As it rose out of the water, I could see a beautiful brownish-orange oxide on the bottom part of its hull. When I woke up the next morning, the image of those huge [E-minor chords with which the work begins] came to me, and the piece was off like an explosion." Most inspiring moments may be less exciting than that but I would be interested in hearing some stories about where ideas come from.

 



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