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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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David Salvage

 Contributing Editors:
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Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Sunday, January 30, 2005
An Uptown Outpost for Downtown Sensibility

With composer Julia Wolfe and flutist Patti Monson on the faculty, and its contemporary music ensemble, Tactus, assuming responsibility for the US premiere of Michael Gordon�s "Decasia" last September, Manhattan School of Music seems to be becoming an uptown refuge for the downtown music scene.

Contributing to the school�s downtown edge last night was the Anechoic Chamber Ensemble. In a large dance studio on the sixth floor, a group of about twenty to thirty people listened with palpable enthusiasm as the eight-member ensemble noodled their way through a string of early Philip Glass compositions: "Strung Out," "Music in Similar Motion," "1+1" (for amplified table top), and "Music in Fifths."

With the big caveat that this music could have been much more enthralling with a little polyphony, the concert was a short and snazzy treat. The ensemble works, "Music in Similar Motion" and "Music in Fifths," exerted a sexy, groovy pull that was hard to resist. Glass�s additive rhythms compensate surprisingly well for his lack of, shall we say, melodic ingenuity, and the ensemble gelled wonderfully. This music does, however, depend on a sort of collective energy: the violin solo, "Strung Out," just sounded flat and labored.

I don�t think Glass�s music bears much substance, but at least in the early work the trashy lyricism that pervades his more recent stuff is absent. Glass�s music may only be good for daydreaming, and music should do more. But we all like to daydream now and then, and a guilty pleasure, like "Music in Fifths," is a pleasure nonetheless.
posted by David Salvage 1/30/2005



 
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