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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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David Salvage

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Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

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This Year at Tanglewood
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Mein Pockets Jingle
New Works by Tsontakis, Rodriquez for Dallas Symphony
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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Friday, January 28, 2005
In the Garden of Michael Gandolfi

 height=Terrific local boy makes good story in the Boston Globe, about composer Michael Gandolfi, 48, whose 20-minute work called "Impressions" from The Garden of Cosmic Speculation shared the program at the Boston Symphony last night with the somewhat better-known composers Bartok, and Mussorgsky. The program will be repeated today, tomorrow and next Tuesday.

Inspired by Charles Jencks�s illustrated book documenting the design of his modern garden in Dumfriesshire, Scotland, the 20-minute orchestral work is currently in four movements. These sections respond to Jencks�s radically new theories of aesthetics and design based on the new sciences of complexity and chaos theory. The movements are named: I. Introduction: the Zeroroom/II. Soliton Waves
III. Interlude: The Snail and the Poetics of Going Slow/IV. The Nonsense.

Gandolfi plans to compose several additional movements, perhaps as many as 15.

�The total timing will probably be about one hour, rendering it impractical for a typical orchestral program,� Gandolfi says. �Therefore, I will designate several plans or pathways through the garden, which will result in several program 'menus.' The BSO performance will represent one such menu.� The piece was commissioned by the Tanglewood Festival and debuted there last summer.

 



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