Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


Early/Late Genius
Cary Boyce

When Did You Realize You Were a Genius?
Jerry Bowles

Teaching composition
Lawrence Dillon

the role that teachers have played in my developme...
Beth Anderson

re: are teachers important?
David Toub

RE: Are Teachers Important?
Lawrence Dillon

Are Teachers Important?
Jerry Bowles

What's Important?
Cary Boyce

follow-up
David Toub

What is important? Future ears decide.
Beth Anderson


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Wednesday, January 26, 2005
The Gift That is Not Free

If what we know about Jacqueline du Pré, who would have been 60 today, is true, it suggests that being a prodigy does not come without a cost--in being cut off from people your own age, in loneliness, and in stunted emotional development and an inability to have "normal" relationships. But, then, there is the music which touches and provides joy for millions. Is that a fair tradeoff? It's human nature to want to know more about the lives of famous people but in the end does it really matter that DuPré remained forever a child, that Britten was a twit, or that Grainger was a masochist who liked being beaten to within an inch of his life? Or, even that Wagner was an antisemite? Great art doesn't care who makes it; it has a life that is larger than the individual.

 



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